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Description: vintage gelatin silver
print by one of Japan's twentieth century photo masters,
Hiroshi Hamaya. This view shows a Buddhist prayer ceremony
at Imagami Onsen located in Tozawa, Yamagata
Prefecture. At this onsen, or hotsprings, before bathing
all visitors must first offer prayers to three gods
including Buddha and The Goddess of Mercy and chant
the ritual Buddhist chant ‘Na-mu-a-mi-da-butsu’.
It is thought that as a goodwill gesture in return,
the sacred onsen offers healing powers for such ailments
as stomach disease, diabetes and even cancer.
Condition: Very good,
wetstamp on
the reverse (see below). Print enclosed in archival mat
board.
Hiroshi Hamaya 1915 - 1999:
Born in Tokyo, Hamaya taught
himself photography at age 15. In 1933 he joined
Oriental Photographic Industries primarily photographing
trains and taking aerial views. From 1937 to 1945
he was a freelancer based in Tokyo and it was during
this period in 1939 when Hamaya met ethnologist Keizo
Shibusawa who strongly influenced him. This led to
Hamaya’s interest in traditional rituals, agricultural
life and daily life in Japan. In 1940 he began work
on his Yukiguni (Snow Land) series in Niigata prefecture
and from 1945 to 1952 he based himself out of Takada,
Niigata Prefecture. In 1954 he began work on his
Ura Nihon (Japan’s Back Coast) series. In 1955
Hamaya caught the attention of Edward Steichen who
included him in the Family of Man exhibition at the
Museum of Modern Art in New York. In 1960 Hamaya
became the first Asian photographer to join the photo
cooperative Magnum. It was during the early 1960s
when he covered the demonstrations and riots against
the US-Japan Security Treaty which caused him to
take on an an anti government view. This outlook
caused Hamaya to return to aerial photography, landscapes
and nature photography in both Japan and abroad.
In 1986 Hamaya was honored with a Master of Photography
Award from the International Center of Photography
in New York. During his long career Hamaya published
numerous books and held several major exhibitions,
capping his life work with a sixty year retrospective
of his work at the Tokyo Metropolitan Museum of Photography
in 1997. That same year Hamaya was also awarded an
Honorary Fellowship of the Royal Photographic Society
in 1997. |