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Description: this print came from
a group of photos taken by Kurokawa documenting the
culture of farm women from the Kyoto area. This group
was also accompanied with a group of photos by him
that had his red hanko stamp on the reverse. The
condition is excellent.
Suizan Kurokawa (1882 - 1944):
Often considered the father of Japanese
pictorialism photography, Kurokawa was born in Kyoto
with his birth name being Tanejiro Kurokawa. The
son of a Kyoto textile merchant, he worked in his
family's business until the age of thirteen. In 1900,
due to heavily incurred debts, the family firm went
bankrupt. This event had great impact on Kurokawa
and as a result he began to pursue photography. In
1906 he entered a photo competition at the Sensho
Kinen Hakurankai Exposition, held to commemorate
Japan's victory in the Russo-Japan War. His work
entitled Ame Ato (After the Rain) showed a view of
Mount Hie which garnered him a silver award. This
became the spark that launched his career.
Kurokawa was regularly published
in the Osaka based magazine Shashin Reidai-shu (lit.
Photo Example magazine) around 1910. He was also
employed in the photo department of the Hakubun-kan
publishing company's Kyoto office. His photographs
were also published in photography journals, as well
as kabuki magazines during the 1910s and 1920s. He
is best known for ethereal views of landscapes and
cultural landmarks, portrayed in a style heavily
influenced by sansui-ga. This traditional style of
Japanese painting interpreted through photography
became Kurokawa's trademark. As a result, his concepts
had a strong influence on many Japanese pictorialist
during the peak years of 1910 to 1925.
Additional notes:
A major holding of Kurokawa's work is kept in the
permanent collection of the Tokyo Metropolitan Museum
of Photography.
He has also been published in:
- Shashin Kai (Photographic Journal), Vol. IV, no.
3, plate 4, Mar. 1, 1909, S. Kuwada & Sons.,
Osaka.
- Geijutsu Shashin-hen, Vol. 4, page 14, ARS Publishing,
Tokyo, 1929-1930.
- The Pictorial Landscape in Japanese Photography,
plates 1-5, Tokyo Metropolitan Museum of Photography,
Tokyo, 1992.
- Japanese Photography-Form In/Form Out Part I,
plate 30, Tokyo Metropolitan Museum of Photography,
Tokyo, 1996. |